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Il giardino riflesso L’erbario di Luigi Meneghello

By: Material type: ArticleArticleLanguage: Italian Series: Biblioteca di Studi di Filologia Moderna ; v.24Publication details: Florence Firenze University Press 2015Description: 1 electronic resource (220 p.)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9788866557463
  • 9788892733664
Subject(s): Online resources: Summary: In Luigi Meneghello's work, the representation of the plant world refers to a subtext of images and symbols: a network of botanical isotopies which transforms into a system while allowing for an alternative and unprecedented reading. From the pages of Libera nos a malo (1963), up to the 'posthumous letters' of L’appendistato (2012), what the author calls «inframondo verdastro» becomes the starting point for the restoration of a literary biosphere, one which is constantly crossed by a double movement: intertextual memory and continuous interaction between Italian, English and the dialect from Vicenza (Italy). Meneghello’s 'reflected garden' thus reveals itself in all its semantic value, and sheds light on a theme of surprisingly great complexity, and also a subject of particular interest for literary ecocriticism.
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Item type Current library Collection Shelving location Call number Status Notes Date due Barcode
Electronic edition Bucheon University Library Fiction OAPEN 82-9 B56 v.24 Not for loan Смотреть (pdf) 1009916

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In Luigi Meneghello's work, the representation of the plant world refers to a subtext of images and symbols: a network of botanical isotopies which transforms into a system while allowing for an alternative and unprecedented reading. From the pages of Libera nos a malo (1963), up to the 'posthumous letters' of L’appendistato (2012), what the author calls «inframondo verdastro» becomes the starting point for the restoration of a literary biosphere, one which is constantly crossed by a double movement: intertextual memory and continuous interaction between Italian, English and the dialect from Vicenza (Italy). Meneghello’s 'reflected garden' thus reveals itself in all its semantic value, and sheds light on a theme of surprisingly great complexity, and also a subject of particular interest for literary ecocriticism.

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