MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01879naaaa2200253uu 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
BUT |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230309120554.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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| fixed length control field |
m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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| fixed length control field |
cr|mn|---annan |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
20201215s2018 xx |||||o ||| eng|| d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780520295308 |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
oapen |
| 041 0# - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 080 ## - UNIVERSAL DECIMAL CLASSIFICATION NUMBER |
|---|
| Universal Decimal Classification number |
778.53 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Jinsoo, An |
| Relationship |
auth |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Parameters of Disavowal (Volume 1.0) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Name of publisher, distributor, etc. |
University of California Press |
| Date of publication, distribution, etc. |
2018 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
The colonial experience of the early twentieth century shaped Korea’s culture and identity, leaving a troubling past that was subtly reconstructed in South Korean postcolonial cinema. Relating postcolonial discourses to a reading of Manchurian action films, kisaeng and gangster films, and revenge horror films, Parameters of Disavowal shows how filmmakers reworked, recontextualized, and erased ideas and symbols of colonial power. In particular, Jinsoo An examines how South Korean films privileged certain sites, such as the kisaeng house and the Manchurian frontier, generating unique meanings that challenged the domination of the colonial power, and how horror films indirectly explored both the continuing trauma of colonial violence and lingering emotional ties to the colonial order. Espousing the ideology of nationalism while responding to a new Cold War order that positioned Japan and South Korea as political and economic allies, postcolonial cinema formulated distinctive ways of seeing and imagining the colonial past. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Декоративно-прикладное искусство |
| 9 (RLIN) |
2222 |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Host name |
www.oapen.org |
| Access number |
0 |
| Uniform Resource Identifier |
<a href="https://library.oapen.org/bitstream/handle/20.500.12657/43721/external_content.pdf?sequence=1&isAllowed=y">https://library.oapen.org/bitstream/handle/20.500.12657/43721/external_content.pdf?sequence=1&isAllowed=y</a> |
| Public note |
Download |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Host name |
www.oapen.org |
| Access number |
0 |
| Uniform Resource Identifier |
<a href="https://library.oapen.org/handle/20.500.12657/43721">https://library.oapen.org/handle/20.500.12657/43721</a> |
| Public note |
Description |
| 909 ## - Составили записи |
|---|
| -- |
4 |
| -- |
Darya Shvetsova |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Универсальная десятичная классификация |
| Koha item type |
Electronic edition |
