| 000 | 03065naaaa2200445uu 4500 | ||
|---|---|---|---|
| 003 | BUT | ||
| 005 | 20230501120603.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20230418s2023 xx |||||o ||| eng|| d | ||
| 020 | _a9783031248696 | ||
| 020 | _a9783031248689 | ||
| 040 |
_aoapen _coapen |
||
| 041 | 0 | _aeng | |
| 080 | _a004 | ||
| 100 | 1 |
_aLiggett, Susan _4auth |
|
| 245 | 1 | 0 | _aCreativity in Art, Design and Technology |
| 260 |
_aCham _bSpringer Nature _c2023 |
||
| 300 | _a1 electronic resource (119 p.) | ||
| 490 | 1 | _aSpringer Series on Cultural Computing; SpringerBriefs on Cultural Computing | |
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aThis is an open access book. Creativity is a difficult concept, how can it best be defined, understood, applied, and practiced? This book provides important answers to these questions. Technology can enable artists to be more creative. Scientific and artistic thinking give us two complementary tools to understand the complexity of the world, with science reducing subjective experience to essential principles and art intensifying and expanding our experiences. These examples also show how artists can push the boundaries of technology into exciting new realms that have not been explored before. The impact that art and art practice can have on culture, society, and social responsibility is explored in detail through examples and case studies. In addition, the book presents how artists are creating and reflecting cultural and societal resonance in their work. Can other disciplines help artists to be more creative? All are part of an interrelated wider society and enables artists to develop artwork fit for highly interfaced and conceptually broad contemporary contexts. This is illustrated with examples which show exciting and challenging results. Creativity in Art, Design and Technology is relevant for artists, designers, scientists and technologists. All can benefit in a major way from a greater understanding of creativity, and the ways in which mutual interaction and collaboration enables all areas to develop. The potential for the future is immense and this book signposts the way forward. | ||
| 540 |
_aCreative Commons _fby/4.0/ _2cc |
||
| 546 | _aEnglish | ||
| 650 | 0 |
_aГрафика, дизайн, верстка _2bicssc _92230 |
|
| 653 | _aCreative Practice | ||
| 653 | _aArtificial Intelligence | ||
| 653 | _aCognitive Models | ||
| 653 | _aDesign Thinking | ||
| 653 | _aCreative Augmentation | ||
| 653 | _aData Visualization Artist | ||
| 653 | _aComputer-assisted Creativity | ||
| 700 | 1 |
_aEarnshaw, Rae _4auth |
|
| 700 | 1 |
_aTownsley, Jill _4auth |
|
| 830 |
_94589 _aSpringer Series on Cultural Computing; SpringerBriefs on Cultural Computing |
||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/20.500.12657/62398/1/978-3-031-24869-6.pdf _70 _zDownload |
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/99455 _70 _zDescription |
| 909 |
_c4 _dDarya Shvetsova |
||
| 942 |
_2udc _cEE |
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| 999 |
_c6531 _d6531 |
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