| 000 | 02954naaaa2200493uu 4500 | ||
|---|---|---|---|
| 003 | BUT | ||
| 005 | 20230310105735.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20150323s2015 xx |||||o ||| eng|| d | ||
| 020 | _a9789176350034 | ||
| 020 | _a9789176350027 | ||
| 020 | _a9789176350010 | ||
| 040 |
_aoapen _coapen |
||
| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 080 | _a82.0 | ||
| 100 | 1 |
_aSoderholm, James _4auth |
|
| 245 | 1 | 0 | _aPlatonic Occasions: Dialogues on Literature, Art and Culture |
| 260 |
_aStockholm _bStockholm University Press _c2015 |
||
| 300 | _a1 electronic resource (190 p.) | ||
| 490 | 1 |
_aStockholm English Studies _vv.1 |
|
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aIn Platonic Occasions, Richard Begam and James Soderholm reflect upon a wide range of thinkers, writers and ideas from Plato, Descartes and Nietzsche to Shakespeare, the Romantics and the Moderns—from Evil, Love and Death to Art, Memory and Mimesis. The dialogues suggest that Percy Shelley was right when he claimed “We are all Greeks,” and yet what have we learned about the initiatives of culture and literature since our classical predecessors? Begam and Soderholm’s ten dialogues function as a series of dual-meditations that take Plato as an intellectual godfather while presenting a new form of dialogic knowledge based on the friction and frisson of two minds contending, inventing and improvising. The authors discuss not only what is healthy and vigorous about Western culture but also consider where that culture is in retreat, as they seek to understand the legacy of the Enlightenment and its relation to the contemporary moment.Platonic Occasionsis an experiment in criticism that enjoins the reader to imagine what the dialogic imagination can do when inspired by Platonic inquiry, but not bound by a single master and the singular mind. Beyond Socratic maieutics and Cartesian meditation is a form of intellectual interplay where it is impossible not to be of two minds. | ||
| 536 | _aDepartment of English, Stockholm University | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc |
||
| 546 | _aEnglish | ||
| 650 | 0 |
_aИстория искусства _92223 |
|
| 650 | 0 |
_aЛитературоведение _93191 |
|
| 653 | _aДиалог | ||
| 653 | _aФлобер | ||
| 653 | _aРомантизм | ||
| 653 | _aШекспир | ||
| 653 | _aФридрих Ницше | ||
| 653 | _aГамлет | ||
| 653 | _aРене Декарт | ||
| 653 | _aСократ | ||
| 700 | 1 |
_aBegam, Richard _4auth |
|
| 830 |
_94401 _aStockholm English Studies _sv.1 |
||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/7a52895e-51f9-40e5-973b-a29cdba140b8/530650.pdf _70 _zDownload |
| 856 | 4 | 0 |
_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/33229 _70 _zDescription |
| 909 |
_c4 _dDarya Shvetsova |
||
| 942 |
_2udc _cEE |
||
| 999 |
_c5759 _d5759 |
||