| 000 | 01904naaaa2200409uu 4500 | ||
|---|---|---|---|
| 003 | BUT | ||
| 005 | 20230310102454.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20190110s1981 xx |||||o ||| gereu d | ||
| 020 | _a9783954792801 | ||
| 040 |
_aoapen _coapen |
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| 041 | 0 | _ager | |
| 042 | _adc | ||
| 080 | _a821 | ||
| 100 | 1 |
_aStephan, Halina _4auth |
|
| 245 | 1 | 0 | _aLef and the Left Front of the Arts |
| 260 |
_aBern _bPeter Lang International Academic Publishers _c1981 |
||
| 300 | _a1 electronic resource (242 p.) | ||
| 490 | 1 |
_aSlavistische Beitraege _vv.142 |
|
| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
|
| 520 | _aThis study analyzes the artistic theory and practice of the Left Front of the Arts (Levyi front iskusstv - Lef) with a special focus on the journal Lef (1923-1925). Two themes are central to this account: the organizational activities of the Lef group directed toward making Futurism a formative force within the Soviet culture and the artistic proposals published in Lef that had the same goal. | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/legalcode _2cc |
||
| 546 | _aGerman | ||
| 650 | 0 |
_aХудожественная литература _93186 |
|
| 650 | 0 |
_aЛитературоведение _93191 |
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| 653 | _aИскусство | ||
| 653 | _aИстория | ||
| 653 | _aЛингвистика | ||
| 653 | _aСлавянское языкознание | ||
| 830 |
_94391 _aSlavistische Beitraege _vv.142 |
||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/f1002848-a6a0-4ed2-a3a2-b1e744a64071/1003538.pdf _70 _zDownload |
| 856 | 4 | 0 |
_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/26537 _70 _zDescription |
| 909 |
_f821 S67 v.142 _k2 _c197 _dKhurliman Arzieva |
||
| 942 |
_2udc _cEE |
||
| 999 |
_c5492 _d5492 |
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| 773 | 0 |
_910511 _a _b _dBern _o1010304 _tSlavistische Beitraege _w _x _z |
|