000			02130naaaa2200349uu 4500
003			oapen
005			20230309154502.0
006			m o d
007			cr|mn|---annan
008			20190110s1982 xx |||||o ||| eng|| d
020			_ab12926
020			_a9783954796694
040			_aoapen _coapen
041	0		_aeng
080			_a8
100	1		_aNakhimovsky, Alice S. _4auth
245	1	0	_aLaughter in the Void
260			_aBern _bPeter Lang International Academic Publishers _c1982
300			_a1 electronic resource (191 p.)
490	1		_aWiener Slawistischer Almanach - Sonderbaende _vv.5
506	0		_aOpen Access _2star _fUnrestricted online access
520			_a<P>The odd and brilliant works of Daniil Kharms and Alexander Vvedenskii were lost to both Russia and the West for some thirty years. It was the misfortune of these writers to be nurtured in a period of literary experiment that was cut off suddenly just as they were starting out. Their first steps, taken under the aegis of an antic literary group called Oberiu, turned out to be the only public testament of their career, and to this day Oberiu remains the touchstone of their notoriety in the West. The connection is unfortunate, because the silence that was forced on the group became paradoxically the silence under which Kharms and Vvedenskii matured as writers. Their later works, masterpieces of black humor with an infusion of the sacred, are firmly rooted in the Russian tradition, and bear comparison with the finest works of the European theater of the absurd. </P>
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/legalcode _2cc
546			_aEnglish
650		0	_aЛитературоведение _93191
653			_aСлавяноведение
830			_94431 _aWiener Slawistischer Almanach - Sonderbaende _vv.5
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/e59f1841-be67-4882-b0c1-c8c0b6567fa4/1002831.pdf _70 _zDownload
856	4	0	_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/27185 _70 _zDescription
909			_c4 _dDarya Shvetsova
942			_2udc _cEE
999			_c5478 _d5478