000 | 02222naaaa2200397uu 4500 | ||
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003 | BUT | ||
005 | 20230310104021.0 | ||
006 | m o d | ||
007 | cr|mn|---annan | ||
008 | 20151231s2015 xx |||||o ||| eng|| d | ||
020 | _a9781925261059 | ||
040 |
_aoapen _coapen |
||
041 | 0 | _aeng | |
080 | _a655.53 | ||
100 | 1 |
_aEdmonds, Phillip _4auth |
|
245 | 1 | 0 | _aTilting at Windmills: the literary magazine in Australia, 1968-2012 |
260 |
_bUniversity of Adelaide Press _c2015 |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
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520 | _aUp until the late 1960s the story of Australian literary magazines was one of continuing struggle against the odds, and of the efforts of individuals, such as Clem Christesen, Stephen Murray-Smith, and Max Harris. During that time, the magazines played the role of 'enfant terrible', creating a space where unpopular opinions and writers were allowed a voice. The magazines have very often been ahead of their time and some of the agendas they have pursued have become 'central' to representations, where once they were marginal. Broadly, 'little' magazines have often been more influential than their small circulations would first indicate, and the author's argument is that they have played a valuable role in the promotion of Australian literature. | ||
540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc |
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546 | _aEnglish | ||
650 | 0 |
_aМемуары, биографии _91744 |
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650 | 0 |
_aЛитературоведение _93191 |
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653 | _aМаленький журнал Австралии | ||
653 | _aФилипп Эдмонд | ||
653 | _aАвстралийская поэзия | ||
653 | _aАвстралийские рассказы | ||
653 | _aСтивен Мюррей-Смит | ||
856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/3da3cdaf-7cbe-46e9-990b-f0b29ceec262/560370.pdf _70 _zDownload |
856 | 4 | 0 |
_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/33148 _70 _zDescription |
909 |
_c4 _dDarya Shvetsova |
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942 |
_2udc _cEE |
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999 |
_c5469 _d5469 |