000			03616naaaa2200397uu 4500
003			BUT
005			20230309122455.0
006			m o d
007			cr|mn|---annan
008			20180911s2018 xx |||||o ||| eng|| d
020			_a9781783745210
040			_aoapen _coapen
041	0		_aeng
080			_a82-1
100	1		_aZiolkowski, Jan M. _4auth
245	1	0	_aThe Juggler of Notre Dame and the Medievalizing of Modernity _bVolume 3: The American Middle Ages
260			_bOpen Book Publishers _c2018
300			_a1 electronic resource (492 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aThis ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. Volume 3: The American Middle Ages hinges upon two figures influenced by the juggler: Henry Adams, scion of Presidents and distinguished cultural historian whose works contributed to the rise of medievalism in America during the Gilded Age, and Ralph Adams Cram, the architect whose vision of Gothic accounts directly or indirectly for the campuses of West Point, Princeton, Yale, Chicago, Notre Dame, and many other universities across America. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
540			_aCreative Commons _fby-4.0/ _2cc
546			_aEnglish
650		0	_aПоэзия, поэмы _92190
653			_aСредневековье
653			_aИстория искусства
653			_aИстория литературы
653			_aГенри Адамс
653			_aРальф Адамс Крам
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/4fa93704-5565-4db0-9c17-357428296c69/9781783745234.pdf _70 _zDownload
856	4	0	_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/29464 _70 _zDescription
909			_c4 _dDarya Shvetsova
942			_2udc _cEE
999			_c5460 _d5460