000			02363naaaa2200421uu 4500
003			BUT
005			20230309153730.0
006			m o d
007			cr|mn|---annan
008			20210715s2019 xx |||||o ||| eng|| d
020			_a9783653047974
020			_a9783631708583
020			_a9783631708590
020			_a9783631655016
040			_aoapen _coapen
041	0		_aeng
080			_a82-2
100	1		_aDąbrówka, Andrzej _4auth
245	1	0	_aTheater and the Sacred in the Middle Ages
260			_aBern _bPeter Lang International Academic Publishers _c2019
300			_a1 electronic resource (576 p.)
490	1		_aInterdisciplinary Studies in Performance _vv.20
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aThe book presents a theory of relationships between the forms of devotion and early drama genres. The historical background is the circumstances of the Church becoming independent of the Empire. A theological and philosophical aspect of the transformation of piety at the time was the specification of the ontological status of the sacred (spiritualization) and "shifting it to Heaven" (transcendentalization). In opposition to a theory of Western civilization as a process of increasing individual self-control, the author argues for the need to take into account purely religious conditions (the idea of recapitulation). This allows the author to develop a holistic aesthetics for the religiously inspired creativity in the period spanning the 11th-15th centuries and to propose a new typology of medieval drama.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0 _2cc
546			_aEnglish
650		0	_aИстория искусства _92223
650		0	_aХудожественная литература _93186
653			_aАнтропология
653			_aТеатр
653			_aКогнитивная психология
653			_aСредневековая драма
830			_94439 _aInterdisciplinary Studies in Performance _vv.20
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/21594389-8518-4a1a-9793-9ce25b202999/9783653047974.pdf _70 _zDownload
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/handle/20.500.12657/50103 _70 _zDescription
909			_c4 _dDarya Shvetsova
942			_2udc _cEE
999			_c5446 _d5446