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020			_a9788855184762
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040			_aoapen _coapen
041	0		_aita
080			_a82-9
100	1		_aMartelli, Annalisa _4auth
245	1	0	_a«The good comic novel»: la narrativa comica di Henry Fielding e l’importanza dell’esempio cervantino
260			_aFlorence _bFirenze University Press _c2021
300			_a1 electronic resource (174 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
490	1		_aBiblioteca di Studi di Filologia Moderna _vv.62
506	0		_aOpen Access _2star _fUnrestricted online access
520			_a«The good comic novel». La narrativa comica di Henry Fielding e l’importanza dell’esempio cervantino analyses the influence of Don Quixote on Henry Fielding’s fiction, starting with a survey of the reception of the Spanish novel in England. Joseph Andrews and Tom Jones are analyzed and compared with the Spanish novel, from which Fielding overtly borrowed some characters, episodes, and Cervantes’ parodic strategies. Fielding’s and Cervantes’s narrative proceeded from the parodic deconstruction and subsequent innovation of previous literature, with the main purpose of teaching and amusing the reader at the same time. Finally, the volume examines the role of Fielding and Cervantes in the rise of the fictional and the self-conscious novel.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by/4.0/ _2cc
546			_aItalian
650		0	_aЛитературоведение _93191
653			_aИстория и критика
830			_94388 _aBiblioteca di Studi di Filologia Moderna _vv.62
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/98c23919-70de-41dd-adc0-34a75f5c1444/9788855184762.pdf _70 _zdownload
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/handle/20.500.12657/55657 _70 _zdescription
909			_c4 _dDarya Shvetsova
942			_2udc _cEE
999			_c5394 _d5394