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020 _a9788864538174
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040 _aoapen
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041 0 _aita
080 _a8
100 1 _aMatraini, Chiara
_4auth
245 1 0 _aLettere e Rime
_bIntroduzione e commento
260 _aFlorence
_bFirenze University Press
_c2018
300 _a1 electronic resource (554 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aPremio Ricerca «Città di Firenze»
_vv.64
506 0 _aOpen Access
_2star
_fUnrestricted online access
520 _aThe commentary of Lettere e rime which Chiara Matraini (1515-1604) published in Venice with the editor Moretti in 1597, when she was 82, intends to provide an organic analysis of the composition, of the relationship between the genres, of the modalities of the “imitatio” and of the philosophical, social and cultural substrate acting as a background in her last chansonnier. The study also focuses on her stylistic changes over a period of forty years (1555-1597), from the adherence to Petrarch and Bembo’s canon to the end-of-the-century Mannerism, as well as on the counter-reformist twist characterizing a parallel writing of philosophical and devotional nature, which can be seen here between the lines. The investigation also takes the liber of Lettere e rime as a deliberately organic and structured whole in the meeting between the letters and the poems. By virtue of its ‘marginality’ as well, this shows a complex work, emerging together with the many afterthoughts which animated the long, almost century-long, life of the author from Lucca.
540 _aCreative Commons
_fhttps://creativecommons.org/licenses/by/4.0/
_2cc
546 _aItalian
650 0 _aЛингвистика
_93282
700 1 _aAcucella, Cristina
_4edt
700 1 _aAcucella, Cristina
_4oth
830 _94390
_aPremio Ricerca «Città di Firenze»
_vv.64
856 4 0 _awww.oapen.org
_uhttps://library.oapen.org/bitstream/id/cc1a81aa-071a-47b9-a2a2-a128d720674d/9788864538174.pdf
_70
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856 4 0 _awww.oapen.org
_uhttps://library.oapen.org/handle/20.500.12657/55443
_70
_zdescription
909 _c4
_dDarya Shvetsova
942 _2udc
_cEE
999 _c5360
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