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020 _a9781138091528
020 _a9781315107981
040 _aoapen
_coapen
041 0 _aeng
080 _a81
100 1 _aBenthien, Claudia
_4auth
245 1 0 _aThe Literariness of Media Art
260 _bTaylor & Francis
_c2019
300 _a1 electronic resource (330 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
506 0 _aOpen Access
_2star
_fUnrestricted online access
520 _a“Language can be this incredibly forceful material—there’s something about it where if you can strip away its history, get to the materiality of it, it can rip into you like claws” (Hill in Vischer 1995, 11). This arresting image by media artist Gary Hill evokes the nearly physical force of language to hold recipients in its grip. That power seems to lie in the material of language itself, which, with a certain rawness, may captivate or touch, pounce on, or even harm its addressee. Hill’s choice of words is revealing: ‘rip into’ suggests not only a metaphorical emotional pull but also the literal physicality of linguistic attack. It is no coincidence that the statement comes from a media artist, since media artworks often use language to produce a strong sensorial stimulus. Media artworks not only manipulate language as a material in itself, but they also manipulate the viewer’s perceptual channels. The guises and effects of language as artistic material are the topic of this book, The Literariness of Media Art.
540 _aCreative Commons
_fby-nc-nd/4.0/
_2cc
546 _aEnglish
650 0 _aЛингвистика
_93282
653 _aНовое медиаискусство
653 _aлитературный подход
700 1 _aLau, Jordis
_4auth
700 1 _aMarxsen, Maraike M.
_4auth
856 4 0 _awww.oapen.org
_uhttps://library.oapen.org/bitstream/id/4cf6f8a0-269e-4090-9f28-9d6d32a1db02/9781138091511_text.pdf
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_uhttp://library.oapen.org/handle/20.500.12657/29421
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_zdescription
909 _c4
_dDarya Shvetsova
942 _2udc
_cEE
999 _c5350
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