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020 _a9788866555100
020 _a9788866555094
020 _a9788892734760
040 _aoapen
_coapen
041 0 _aita
080 _a8
100 1 _aTerigi, Elisabetta
_4auth
245 1 0 _aYvan Goll ed il crollo del mito d'Europa
260 _aFlorence
_bFirenze University Press
_c2013
300 _a1 electronic resource (244 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aPremio Ricerca «Città di Firenze»
_vv.32
506 0 _aOpen Access
_2star
_fUnrestricted online access
520 _aThe objective of this work is to investigate the meaning of myth in the work of Yvan Goll (1891-1950), a Franco-German, bilingual and Jewish poet. In his poems, characters of the classical tradition alternate with biblical and historical figures: among all stands out the topic of the myth of Europe, understood as a geographical space and universal homeland for all those who, born in a borderland like Goll, feel “heimatlos”, that is stateless. The aim of the thesis is to demonstrate how the artist's dialogue with the myth follows precise and constant rules with a clear goal: to send a strong message to the contemporary world. Taking into consideration the works dedicated to the mythical heritage, it is observed how after the Mythisierung (mythisation) of the old continent, the author deconstructs his own creation through a systematic Entmythisierung (demythisation).
540 _aCreative Commons
_fhttps://creativecommons.org/licenses/by-nc-nd/3.0/
_2cc
546 _aItalian
650 7 _aLiterature & literary studies
_2bicssc
650 7 _aLiterature: history & criticism
_2bicssc
830 _94390
_aPremio Ricerca «Città di Firenze»
_vv.32
856 4 0 _awww.oapen.org
_uhttps://library.oapen.org/bitstream/id/f8111c12-84f5-4238-bebb-493369cddbd5/9788866555100.pdf
_70
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856 4 0 _awww.oapen.org
_uhttps://library.oapen.org/handle/20.500.12657/55073
_70
_zdescription
909 _c4
_dDarya Shvetsova
942 _2udc
_cEE
999 _c5332
_d5332