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008			20151231s2013 xx |||||o ||| eng|| d
040			_aoapen _coapen
041	0		_aeng
080			_a82-2
100	1		_aRobinson, Michael _4auth
245	1	0	_aStudies in Strindberg
260			_bUbiquity Press _c2013
300			_a1 electronic resource (204 p.)
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aIn this volume Strindberg's accomplishments as a dramatist are set against his achievements in other fields, as an autobiographer, painter, letter writer and theatre director. There are studies of individual plays, in which Strindberg's theatre is related both to naturalism and the theatre of the absurd, and of the role played by his life-long interest in historical drama. Other essays range from studies of the problems posed by Strindberg's preoccupation with converting his own life into literature to a consideration of the importance he placed on letterwriting as a model for writing of all kinds. His letters are also used to explore his ideas about the theatre. A recurring concern is with the period of turmoil known as the Inferno Crisis, in which Strindberg refashioned himself as a writer. Robinson examines the importance of Strindberg's painting for his renewal as a writer and situates the achievement of his later works in relation to Symbolism and to Musical Expressionism. (DOI: 10.5334/bac)
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by/3.0/ _2cc
546			_aEnglish
650		0	_aМемуары, биографии _91744
653			_aТеатр
653			_aАвгуст Стриндберг
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/468ec04d-6435-435f-8a85-94fdcd21c859/533911.pdf _70 _zDownload
856	4	0	_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/33208 _70 _zDescription
909			_c4 _dDarya Shvetsova
942			_2udc _cEE
999			_c5293 _d5293