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003			BUT
005			20230307165203.0
006			m o d
007			cr|mn|---annan
008			20211001s2009 xx |||||o ||| eng|| d
020			_a9781478090885
040			_aoapen _coapen
041	0		_aeng
042			_adc
080			_a930.23
100	1		_aTansman, Alan _4edt
245	1	0	_aThe Culture of Japanese Fascism
260			_bDuke University Press _c2009
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aThis bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context and situates them in relation to previous scholarly inquiries into the existence of fascism in Japan. Several contributors examine how fascism was understood in the 1930s by, for example, influential theorists, an antifascist literary group, and leading intellectuals responding to capitalist modernization. Others explore the idea that fascism’s solution to alienation and exploitation lay in efforts to beautify work, the workplace, and everyday life. Still others analyze the realization of and limits to fascist aesthetics in film, memorial design, architecture, animal imagery, a military museum, and a national exposition. Contributors also assess both manifestations of and resistance to fascist ideology in the work of renowned authors including the Nobel-prize-winning novelist and short-story writer Kawabata Yasunari and the mystery writers Edogawa Ranpo and Hamao Shirō. In the work of these final two, the tropes of sexual perversity and paranoia open a new perspective on fascist culture. This volume makes Japanese fascism available as a critical point of comparison for scholars of fascism worldwide. The concluding essay models such work by comparing Spanish and Japanese fascisms. Contributors. Noriko Aso, Michael Baskett, Kim Brandt, Nina Cornyetz, Kevin M. Doak, James Dorsey, Aaron Gerow, Harry Harootunian, Marilyn Ivy, Angus Lockyer, Jim Reichert, Jonathan Reynolds, Ellen Schattschneider, Aaron Skabelund, Akiko Takenaka, Alan Tansman, Richard Torrance, Keith Vincent, Alejandro Yarza
536			_aKnowledge Unlatched
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode _2cc
546			_aEnglish
650		0	_aИстория отдельных стран и народов _92152
653			_aФашизм в Японии
700	1		_aTansman, Alan _4oth
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/8b27be15-d207-4728-8787-a9c38035fb3c/external_content.pdf _70 _zDownload
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/handle/20.500.12657/50687 _70 _zDescription
909			_c4 _dDarya Shvetsova
942			_2udc _cEE
999			_c5245 _d5245