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| 003 | BUT | ||
| 005 | 20230309100714.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20210612s2021 xx |||||o ||| eng|| d | ||
| 020 | _a/doi.org/10.1525/luminos.104 | ||
| 020 | _a9780520976399 | ||
| 040 |
_aoapen _coapen |
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| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 080 | _a94 | ||
| 100 | 1 |
_aWeidman, Amanda _4auth |
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| 245 | 1 | 0 |
_aBrought to Life by the Voice _bPlayback Singing and Cultural Politics in South India |
| 260 |
_bUniversity of California Press _c2021 |
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| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
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| 520 | _aTo produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. | ||
| 536 | _aKnowledge Unlatched | ||
| 540 |
_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/legalcode _2cc |
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| 546 | _aEnglish | ||
| 650 | 0 |
_aИстория искусства _92223 |
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| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/77158cfe-e9ec-4d39-a096-10d5c3c28746/external_content.epub _70 _zDownload |
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_awww.oapen.org _uhttps://library.oapen.org/handle/20.500.12657/49480 _70 _zDescription |
| 909 |
_c4 _dDarya Shvetsova |
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| 942 |
_2udc _cEE |
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| 999 |
_c5238 _d5238 |
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