000			02880naaaa2200397uu 4500
003			BUT
005			20230309114913.0
006			m o d
007			cr|mn|---annan
008			20181118s2019 xx |||||o ||| eng|| d
020			_a9780520300576
040			_aoapen _coapen
041	0		_aeng
042			_adc
080			_a7.03
100	1		_aWilcox, Emily _4auth
245	1	0	_aRevolutionary Bodies _bChinese Dance and the Socialist Legacy
260			_aOakland _bUniversity of California Press _c2019
300			_a1 electronic resource (324 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aThis book examines the history of concert dance in China from 1935 to 2015, with a focus on Chinese dance and its relationship to revolutionary performance culture in PRC history. The book argues that Chinese dance, not revolutionary ballet, was the primary legacy of Maoist dance research and innovation. Showing the relationship between dance and politics, it discusses dance developments during the War of Resistance Against Japan, the Chinese Civil War, the Korean War, the Great Leap Forward, the Cultural Revolution, the post-Mao era, and the period of One Belt One Road. The book emphasizes transnational exchange and highlights the contributions of immigrant and ethnic minority women, such as Chinese Trinidadian dancer Dai Ailian, Korean dancer Choe Seung-hui, Uyghur dancer Qemberxanim, Bai dancer Yang Liping, and Uyghur dancer Gulmira Mamat. It discusses the history of dance schools and companies such as the Beijing Dance Academy, the China National Opera and Dance Drama Theater, the Central Nationalities Song and Dance Ensemble, and the Xinjiang Arts Institute. Dance film is an important subject of analysis. Aesthetic experimentation is another key theme. Dance styles examined include Chinese classical dance, Chinese national folk dance (including ethnic minority dance and Han folk dance), Chinese military dance, New Dance, New Yangge, national dance drama, Dunhuang dance, peacock dance, and ballet. The book argues that kinesthetic nationalism, ethnic and spatial inclusivity, and dynamic inheritance are lasting features of Chinese dance.
540			_aCreative Commons _fby-nc-nd/4.0/ _2cc
546			_aEnglish
650		0	_aИстория искусства _92223
653			_aИстория Азии
653			_aКитай
653			_aВыступления
653			_aТанцы
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/a582f08f-6d92-40ee-8608-31dafc02f7f8/revolutionary-bodies.pdf _70 _zDownload
856	4	0	_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/27543 _70 _zDescription
909			_c4 _dDarya Shvetsova
942			_2udc _cEE
999			_c5173 _d5173