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005			20230309114459.0
006			m o d
007			cr|mn|---annan
008			20200327s2017 xx |||||o ||| eng|| d
020			_a9789048534555
020			_a9789462984035
024	7		_a10.1515/9789048534555 _cdoi
040			_aoapen _coapen
041	0		_aeng
042			_adc
080			_a930.85
100	1		_aBarentdregt, Bart _4auth
245	1	0	_aPopular Music in Southeast Asia
260			_aAmsterdam _bAmsterdam University Press _c2017
300			_a1 electronic resource (84 p.)
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aFrom the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.
536			_aNederlandse Organisatie voor Wetenschappelijk Onderzoek
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-nd/4.0/ _2cc
546			_aEnglish
650		0	_aИстория культуры _92416
653			_aИстория Азии
653			_aЛегкая оркестровая музыка и биг-бэнд
653			_aМузыка мира
700	1		_aKeppy, Peter _4auth
700	1		_aNordholt, Henk Schulte _4auth
856	4	0	_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/a72357aa-2ded-46ef-a554-cfded839faca/1005699.pdf _70 _zDownload
856	4	0	_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/24416 _70 _zDescription
909			_c4 _dDarya Shvetsova
942			_2udc _cEE
999			_c5159 _d5159