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| 001 | http://library.oapen.org/handle/20.500.12657/25002 | ||
| 003 | oapen | ||
| 005 | 20230309104208.0 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 20190619s2019 xx |||||o ||| eng|| d | ||
| 020 | _a9780520301665 | ||
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_aoapen _coapen |
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| 041 | 0 | _aeng | |
| 042 | _adc | ||
| 080 | _a94 | ||
| 100 | 1 |
_aMruthinti Kamath, Harshita _4auth |
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| 245 | 1 | 0 |
_aImpersonations _bThe Artifice of Brahmin Masculinity in South Indian Dance |
| 260 |
_aOakland _bUniversity of California Press _c2019 |
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| 300 | _a1 electronic resource (245 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 506 | 0 |
_aOpen Access _2star _fUnrestricted online access |
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| 520 | _aDrawing on multisited ethnographic fieldwork and performance analysis, this book centers on an insular community of Smarta brahmin men from the Kuchipudi village in Telugu-speaking South India, who are required to don strī-vēṣam (woman’s guise) and impersonate female characters from Hindu religious narratives. According to the hagiography of Siddhendra, the founding saint of Kuchipudi dance, every brahmin man from a hereditary Kuchipudi family must don strī-vēṣam at least once in his life, a prescription that still resonates in the village today. Impersonation, the term used to indicate the donning of gender guise (vēṣam), is not simply a performative mandate for Kuchipudi brahmin men but also a practice of power that creates normative ideals of brahmin masculinity in village performance and everyday life. However, the construction of brahmin masculinity against the backdrop of impersonation is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian “classical” dance tradition. By shifting from village to urban and transnational spaces, the book traces the technologies of normativity that create, sustain, and undermine normative ideals of gender, caste, and sexuality through the embodied practice of impersonation in contemporary South India. | ||
| 540 |
_aCreative Commons _fby-nc-nd/4.0/ _2cc |
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| 546 | _aEnglish | ||
| 650 | 0 |
_aИстория отдельных стран и народов _92152 |
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| 653 | _aИстория Азии | ||
| 856 | 4 | 0 |
_awww.oapen.org _uhttps://library.oapen.org/bitstream/id/54e1b86a-51a8-4ceb-b375-b6ffba8f7484/impersonations.pdf _70 _zDownload |
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_awww.oapen.org _uhttp://library.oapen.org/handle/20.500.12657/25002 _70 _zDescription |
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_c4 _dDarya Shvetsova |
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_2udc _cEE |
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